My Assignment's : Relationships between Vladimir and Estragon
Much has been written about Samuel Beckett's Waiting for Godot, but as far as I am aware no one has compared the two characters of Vladimir and Estragon in .. wait is to be conscious of a relationship between oneself, others and time. Waiting for Godot is Samuel Beckett's most famous work. Originally written in French in , Beckett personally translated the play into English. Friendship is tricky in Waiting for Godot, as each character is fundamentally isolated What is the best term to describe Vladimir and Estragon's relationship?.
Their costumes recall the type found in burlesque or vaudeville houses. The opening scene with Estragon struggling with his boots and Vladimir doffing and donning his hat to inspect it for lice could be a part of a burlesque routine.
Waiting for Godot
Such comic episodes continue until the characters and the audiences are bored with it. Estragon represents the physical split and Vladimir the mental split of the assumed person, Estramir.
Beckett strictly limits Estragon to physical awareness. He cannot think, nor act of thinking. He never feels mentally tired, but physically; Whereas Vladimir always thinks philosophically.
He also plays at thinking. He, unlike Estragon, feels mentally tired, and does not suffer physically except kidney disease. We see in this play that Estragon engaged in trying to take off and put on his boots; While Vladimir is engaged in taking off his hat, peering in it and putting it on his head.
Hat and boot represents the mentality of people's mindset. Boot is symbolized lower or poor thinking. These two extreme behaviors show the affinity of Estragon with body, and Vladimir with mind. Vladimir is the person who is aware of his own cog-like existence in the world, and says: And I resumed the struggle.
The boot is used to wear in legs, and leg has nothing to do with thinking or mind. Wherever is body, there is hunger. Throughout the play, Estragon feels hunger thrice. Once he is given bones by Pozzo. And twice he is given carrot by Vladimir. Mind never gets hungry like this; rather it helps body to get its food carrot. We do not find Vladimir being hungry, but providing Estragon with carrots. Body has nothing to do with memory and past. If it has any relation with past, it is the marks of wounds that are lefts on it.
Estragon hardly remembers about his past. Either I forget immediately or never forget.
Vladimir and Estragon
But he cannot recollect Pozzo and Lucky. He also does not identify the place; While Vladimir recognizes the place, persons, and also remembers the incidents from the past. Honour and pride are abstract things that only a mind could understand them, not a body. Estragon is found begging for money and bones. But Vladimir suggests him not to beg since they Estramir are not beggars.
Estragon, however, is dependent upon Vladimir, and essentially he performs what Vladimir tells him to do. For example, Vladimir looks after Estragon's boots, he rations out the carrots, turnips, and radishes, he comforts Estragon's pain, and he reminds Estragon of their need to wait for Godot.
The opening scene with Estragon struggling with his boots and Vladimir doffing and donning his hat to inspect it for lice could be a part of a burlesque routine. Such comic episodes continue until the characters — and the audiences — are bored with it.
Vladimir would be the equivalent of the straight man in burlesque comedy. He is also the intellectual who is concerned with a variety of ideas. Of the two, Vladimir makes the decisions and remembers significant aspects of their past. He is the one who constantly reminds Estragon that they must wait for Godot.
Vladimir seems to know more about Godot. Vladimir often sees religious or philosophical implications in their discussions of events, and he interprets their actions in religious terms; for example, he is concerned about the religious implications in such stories as the two thieves who were crucified on either side of Jesus.
Vladimir correlates some of their actions to the general concerns of mankind. In addition to the larger needs, Vladimir also looks after their physical needs. In contrast, Estragon is concerned mainly with more mundane matters: He prefers a carrot to a radish or turnip, his feet hurt, and he blames his boots; he constantly wants to leave, and it must be drilled into him that he must wait for Godot.
He remembers that he was beaten, but he sees no philosophical significance in the beating. He is willing to beg for money from a stranger Pozzoand he eats Pozzo's discarded chicken bones with no shame.
Estragon, then, is the more basic of the two.