Romeo and Juliet Character Relationships | Shakespeare Learning Zone
types of relationships between characters, and these are essential to the play. The Relationship Between Lord Capulet and Juliet in William Shakespeare's The Relationship of Juliet and Her Parents in William Shakespeare's Romeo. The Friar's role as the friend and advisor to Romeo an. Friar Laurence is presented as a holy man who is trusted and respected by the other characters. and old age also manifests itself in the Friar's relationship with Romeo and Juliet. The relationship between Juliet and Tybalt is indeed an interesting one. I love this question because I haven't often thought about it. Tybalt is, of course, Juliet's .
In groups, discuss the idea of the good parent. Should we cut the parents in Romeo and Juliet some slack because they were only behaving as parents would in that time period? Are we thinking too much in 21st Century terms? Or should a good parent always put their children first? Why does the Nurse decide to tell Juliet to forget Romeo? We learn at the end of the play that she killed herself from grief at his banishment, but we have no text between them.
Reflect on Youth vs Age in the play. What do they do to try and get the son to come out? Are they clueless in how to talk to a teenager?
Mistress minion, for example.
Would you like to have your father say those words to you? Choose a couple of terms and create tableaux to visualize them. What impact do the words have visually?
What does she really want to say to her father? In groups, read and examine Act IV, scene v. What are they going through in this scene? Juliet, Act I, scene v Romeo and Juliet is based on the nature of friends and enemies. Everything happens because the two families are foes. Romeo is both friend and enemy to Juliet.
Romeo tells the apothecary, who is afraid of selling him the poison, that the world is not your friend. Romeo may think so. Speak but one rhyme, and I am satisfied. And there is a lot of bite when Mercutio curses the two families at his death. Do you consider romantic partners to be friends? What happened to make that person your enemy?
Do you feel the reactions of characters in the play toward their enemies is realistic or exaggerated? Write a song in which you use the word friend to mean loved one. What images will you use? Compare and contrast Mercutio and Tybalt. How are they similar? How are they different? Create a collage of textures, colours and images that represents Mercutio on one side and Tybalt on the other.
Shakespeare makes the plot depend crucially on messages. This scheme is repeated when the Nurse haphazardly encounters the young gallants, and Romeo lightheartedly identifies himself amidst the bawdy mockery of his friends.
Romeo and Juliet
Later, the Nurse brings Juliet a happy reply II,v. Shakespeare stresses in both scenes the ease with which messages can go wrong; so Juliet at first thinks it is Romeo, not Tybalt, whom the Nurse saw bedaubed in gore-blood. Experience Overall Story Issue Thematic issues regarding experience in the objective story are illustrated in terms of age.
Proficiency in both is well regarded.
Romeo and Juliet - Analysis - Dramatica
Overall Story Thematic Conflict Experience vs. Skill In Romeo and Juliet, experience creates a generation gap between old and young.
Aptitude for a quick draw or insightful jest is held in higher esteem by the younger generation, more than any experience an elder might try to pass on. Expectation Overall Story Problem Expectations the objective characters have for one another create problems.
Capulet has granted permission for the young man to court and marry his daughter—when Juliet refuses the suit, Capulet is outraged and abusive.
Determination Overall Story Solution Friar Lawrence, Prince Escalus, Capulet and Montague all determine their part and acknowledge their accountability in the tragedy of the young lovers: Enlightenment Overall Story Catalyst The objective story accelerates when Friar Lawrence intuitively discerns, if he aids Romeo and Juliet in their desire to marry, their rival families will ultimately reconcile: Romeo sees at once that an irreversible process has begun. Learning Overall Story Benchmark Much of the tragedy can be attributed to ignorance and misinformation.
As the characters begin to learn the true nature of people and events, they can begin to make informed decisions.
With the help of Friar Laurence, they are wedded next day. Romeo comes on the scene, and attempts to reason with Tybalt, but Tybalt and Mercutio fight, and Mercutio falls.
Relationships in Romeo and Juliet
Then Romeo draws and Tybalt is killed. The prince, Montague, and Capulet come up, and Romeo is sentenced to banishment. Capulet proposes to marry Juliet to Count Paris, and when she seeks excuses to avoid this, peremptorily insists. Juliet consults the friar, who bids her consent to the match, but on the night before the wedding drink a potion which will render her apparently lifeless for 42 hours. He will warn Romeo, who will rescue her from the vault on her awakening and carry her to Mantua.
Buying poison, he comes to the vault to have a last sight of Juliet. He chances upon Count Paris outside the vault; they fight and Paris is killed. Juliet awakes and finds Romeo dead by her side, and the cup still in his hand. Guessing what has happened, she stabs herself and dies.
Main Character Throughline Mind Main Character Throughline What sets Romeo apart from the other males in the story is his disposition in regard to women—one from which he essentially does not waver: Feuding, then, is the form that male bonding takes in Verona, a bonding which seems linked to the derogation of woman. But Romeo, from the very opening of the play, is distanced both physically and emotionally from the feud.
Romeo subscribes to a different, indeed a competing view of woman—the idealizing view of the Petrarchan lover. As Friar Lawrence admonishes: Worry Main Character Issue Romeo does not allow himself the luxury of confidence: Confidence Main Character Counterpoint It is his love for Juliet that instills confidence in Romeo—enough to defy his family and friends.